Accordion option_accordion

1.钢琴英文怎么拼

2.手风琴是起源什么地方的？

3.西洋乐器有哪些

4.英语音乐术语有哪些？

5.零售学中的“手风琴理论(ACCORDIONTHEORY)”是什么意思?

6.关于乐器的英语单词

accordion——accordionist 手风琴演奏家

transport—— transporter 运输者

hike——hiker徒步旅行者

travel——traveller旅游者

use——user用户，使用者

fiction——fictionalist小说家

钢琴英文怎么拼

The accordion is a portable box-shaped musical instrument of the hand-held bellows-driven free-reed aerophone family, sometimes referred to as a squeezebox. A person who plays the accordion is called an accordionist.

It is played by compressing or expanding a bellows whilst pressing buttons or keys, causing valves, called pallets, to open, which allow air to flow across strips of brass or steel, called reeds, that vibrate to produce sound inside the body.

The instrument is sometimes considered a one-man-band as it needs no accompanying instrument. The performer normally plays the melody on buttons or keys on the right-hand manual, and the accompaniment — consisting of bass and pre-set chord buttons — on the left-hand manual.

The accordion is often used in folk music in Europe, North America and South America. It is commonly associated with busking. Some popular music acts also make use of the instrument. Additionally, the accordion is sometimes used in both solo and orchestra performances of classical music.

The oldest name for this group of instruments is actually harmonika, from the Greek harmonikos, meaning harmonic, musical. Today, native versions of the name accordion are more common. These names are a reference to the type of accordion patented by Cyrill Demian, which concerned “automatically coupled chords on the bass side”.

The accordion's basic form is believed to have been invented in Berlin in 1822 by Christian Friedrich Ludwig Buschmann, although one instrument has been recently discovered that appears to have been built in 1816 or earlier by Friedrich Lohner of Nürnberg in the German State of Bavaria.

The accordion is one of several European inventions of the early 19th century that used free reeds driven by a bellows. An instrument called accordion was first patented in 1829 by Cyrill Damian, of Armenian descent, in Vienna .

Demian's instrument bore little resemblance to modern instruments. It only had a left hand buttonboard, with the right hand simply operating the bellows. One key feature for which Demian sought the patent was the sounding of an entire chord by depressing one key. His instrument also could sound two different chords with the same key; one for each bellows direction (a bisonoric action).

At that time in Vienna, mouth harmonicas with Kanzellen (chambers) had already been available for many years, along with bigger instruments driven by hand bellows. The diatonic key arrangement was also already in use on mouth-blown instruments. Demian's patent thus covered an accompanying instrument: an accordion played with the left hand, opposite to the way that contemporary chromatic hand harmonicas were played, small and light enough for travelers to take with them and used to accompany singing. The patent also described instruments with both bass and treble sections, although Demian preferred the bass-only instrument owing to its cost and weight advantages.

The first pages in Adolph Müller's accordion book.The musician Adolph Müller described a great variety of instruments in his 1833 book, Schule für Accordion. At the time, Vienna and London had a close musical relationship, with musicians often performing in both cities in the same year, so it is possible that Wheatstone was aware of this type of instrument and may have used them to put his key-arrangement ideas into practice.

Jeune's flutina resembles Wheatstone's concertina in internal construction and tone color, but it appears to complement Demian's accordion functionally. The flutina is a one-sided bisonoric melody-only instrument whose keys are operated with the right hand while the bellows is operated with the left. When the two instruments are combined, the result is quite similar to diatonic button accordions still manufactured today.

Further innovations followed and continue to the present. Various buttonboard and keyboard systems have been developed, as well as voicings (the combination of multiple tones at different octaves), with mechanisms to switch between different voices during performance, and different methods of internal construction to improve tone, stability and durability.

The accordion appeared in popular music from the 1900s-1960s. This half century is often called the "Golden Age of the Accordion." Three players: Pietro Frosini, and the two brothers Count Guido Deiro and Pietro Deiro were major influences at this time.

Most Vaudeville theaters closed during the Great Depression, but accordionists during 1930s-1950s taught and performed for radio. During the 1950s through the 1980s the accordion received great exposure on television with performances by Myron Floren on the Lawrence Welk Show. In the late 1950s and early 1960s, the accordion declined in popularity.

In popular music, it is now generally considered exotic and old-fashioned to include the accordion, especially in music for advertisements. Some popular acts do use the instrument in their distinctive sounds. See the list of popular music acts that incorporate the accordion. In 1993, during their MTV Unplugged performance performance, Nirvana's Krist Novoselic used accordion while covering The Vaselines song Jesus Wants Me for a Sunbeam.

The New York band They Might Be Giants extensively use the accordion in many of their recordings, especially on earlier albums such as Apollo 18 (album).

Perhaps the most famous accordionist in popular music is "Weird Al" Yankovic, who has used the accordion in every album he has recorded, most extensively on his debut album.

Another great example would be the Irish-American band Flogging Molly. The group consists of 7 members, one of which being an accordionist (Matt Hensley).

Additionally, the Canadian indie-rock group Arcade Fire uses accordion in much of their music. It can distinctly be heard in the tracks "Neighborhood #2 Laika", "Wake up", and "No Cars Go" among many others. The former two can be found on the album entitled "Funeral" and the Latter on "Neon Bible".

Dr. Steel uses accordion in many of his songs, such as "Lullabye Bye" and "Bogeyman Boogie." Tom Waits used an accordion in his video for the song "Downtown Train" in 1985. On a Raffi concert video called "Raffi on Broadway", Connie Lebeau played this accordion in "De Colores" and a Raffi song called "Will I Ever Grow Up". Polka Floyd injects accordion into Pink Floyd music.

Use in classical music

Main article: Accordion music genres#Use in classical music

Although best known as a folk instrument, it has grown in popularity among classical composers. The earliest surviving concert piece is Thême varié très brillant pour accordéon methode Reisner, written in 1836 by Miss Louise Reisner of Paris. Other composers, including the Russian Piotr Ilyich Tchaikovsky, the Italian Umberto Giordano, and the American Charles Ives (1915), wrote works for the diatonic button accordion.

The first composer to write specifically for the chromatic accordion was Paul Hindemith. In 1922, the Austrian Alban Berg included an accordion in Wozzeck, Op. 7. Other notable composers have written for the accordion during the first half of the 20th century American composer William P. Perry featured the accordion in his orchestral suite "Six Title Themes in Search of a Movie" (2008). The avant experimental composer Howard Skempton began his musical career as an accordionist, and has written numerous solo works for it.

Brazil

The accordion is a traditional instrument in Brazil. Used in the style known as bai?o in the northeast. Luiz Gonzaga is known as the king of bai?o.

Use in heavy metal music

Accordionists in heavy metal make their most extensive appearances in the folk metal sub-genre, and are otherwise generally rare. Full-time accordionists in folk metal seem even rarer, but they are still utilized for studio work, as flexible keyboardists are usually more accessible for live performances.

Notably, the Finnish symphonic folk-metal band Turisas has always had a full-time accordionist, employing classical and polka-style sensibilities alongside a violinist. Another Finnish metal band, Korpiklaani, invokes a type of Finnish polka called humppa, and also has a full-time accordionist. Sarah Kiener, the former hurdy-gurdy player for the Swiss melodic-death/folk metal band Eluveitie, played a Helvetic accordion known as a zuger?rgeli, which could be a distant relative (in one way or another) to the Swiss schwyzer?rgeli, as both are indigenous to and very rare outside of Switzerland.

The lead vocalist for the pirate metal band Alestorm plays a keytar and often uses it to make accordion sounds.

The best accordions are always fully hand-made, especially in the aspect of reeds; completely hand-made reeds have a far better tonal quality than even the best automatically-manufactured reeds. Some accordions have been modified by individuals striving to bring a more pure sound out of low-end instruments, such as the ones improved by Yutaka Usui, a Japanese-born craftsman.

The manufacture of an accordion is only a partly automated process. In a sense, all accordions are handmade, since there is always some hand assembly of the small parts required. The general process involves making the individual parts, assembling the subsections, assembling the entire instrument, and final decorating and packaging.

手风琴是起源什么地方的？

钢琴英文单词：piano　

读音：英 [p?'?n?]? 美 [pi'ɑno?]

释义：n. 钢琴? adj. 轻柔的 adv. 轻柔地

piano的全称是pianoforte。

piano是可数名词，表示“弹钢琴”时，须加定冠词。

例句：

1、He is a wizard at playing the piano.

他是个钢琴奇才。

2、She is learning to play the piano.

她在学弹钢琴。

扩展资料：

其它乐器英文

1、organ?

读音：英 ['?ɡ?n] 美 ['?rɡ?n]

n. 器官；风琴；机构；喉舌；报刊

例句：The old organ wheezed out a tune.

那架老风琴呜呜地奏出曲子。

2、accordion

释义：英 [?'k?di?n]? 美 [?'k?rdi?n]

n. 手风琴? adj. 可折叠的

例句：The accordion was in full blast in the hall.

在大厅里手风琴拉得非常响亮。

3、violin?

读音：英 [?va?'l?n] 美 [?va?'l?n]

n. 小提琴

例句：The violin is not quite in tune with the piano.

这小提琴跟钢琴的调子不太和谐。

4、cello

读音：英 ['t?el?]美 ['t?elo?]

n. C大提琴

例句：She plays a melodious cello.

她拉着一手悦耳的大提琴。

西洋乐器有哪些

手风琴属于活簧类乐器。它是借鉴中国笙簧发音原理而形成的。

十八世纪下半叶，中国笙传入欧洲，随即便在欧洲开始出现了一些手风琴的前身乐器，但它们大都未能成形便被淘汰了。真正用手拉的风琴是由德国人布期曼（Friedrdch Buschman，1805—1864 ）在一八二二年创制的，后经奥地利人德米安（cyrillus Demian 1772—1847）在布斯曼琴的基础上，集当时手风琴的各种前身乐器之大成，成功地改良创制了世界上第一架被定名为Accordion的手风琴。直到今天，在欧洲和美洲仍然沿用Accordion这个名称。

手风琴的种类和规格很多，从结构、形态上看，大致可分为四类，即全音阶手风琴，半音阶手风琴，键钮式手风琴和键盘式手风琴。

英语音乐术语有哪些？

1，羽管键琴

羽管键琴，音译为哈普西科德，拨奏弦鸣乐器，又名拨弦古钢琴、大键琴。羽管键琴的制作起源于15世纪末的意大利，后来传播到欧洲各国。

2，钢琴

钢琴（意大利语：pianoforte）是西洋古典音乐中的一种键盘乐器，有“乐器之王”的美称。由88个琴键（52个白键，36个黑键）和金属弦音板组成。

3，电吉他

电吉他是现代科学技术的产物，从外型到音响都与传统的吉他有着明显的差别。琴体使用新硬木制成，配有音量、音高调节器以及颤音结构等装置。

4，手风琴

手风琴（accordion)是一种既能够独奏，又能伴奏的键盘乐器，不仅能够演奏单声部的优美旋律，还可以演奏多声部的乐曲，更可以如钢琴一样双手演奏丰富的和声。

5，双簧管

木管类乐器。双簧管最初形成于17世纪中叶，18世纪时得到广泛使用。双簧管在乐队中常担任主旋律，是出色的独奏乐器，此外它还是交响乐队里的调音基准乐器。

双簧管音色带有鼻音似的芦片声，善于演奏徐缓如歌的曲调，柴科夫斯基的《天鹅湖》中的忧郁而优美的白天鹅主题就是由双簧管吹奏的。双簧管是较难演奏的乐器之一。双簧管像大多数高音管乐器一样，有它的基础音域，但有能力者可以向高处扩展一定音域。

百度百科-羽管键琴

百度百科-钢琴

百度百科-电吉他

百度百科-手风琴

百度百科-西洋乐器

百度百科-双簧管

零售学中的“手风琴理论(ACCORDIONTHEORY)”是什么意思?

乐器的英语：Guitar 吉他、Drum 鼓、Piano 钢琴、Violin 小提琴、Accordion 手风琴、Flute 笛子、Harmonica 口琴、Cello 大提琴、Clarinet 黑管、Saxophone 萨克斯、Bass drum 低音鼓、Trumpet小号、French horn法国号、Tuba低音大号。

1、Guitar 吉他

英 [g?tɑ:(r)]，美 [ɡ?tɑr]

例：How do?you?think?one?can?guitar?well?

你认为一个人要怎样才能弹好吉他呢？

例：You?like?guitar?

你喜欢吉他？

2、Drum 鼓

英 [dr?m]，美 [dr?m]

例：He drummed his fingers on the leather top of his desk.

他用手指不停地敲击皮桌面。

例：What do?they?want?They?want?a?drum.?

他们想要什么？他们想要一个鼓。

3、Piano 钢琴

英 [pi?n?]，美 [pi?no?]

例：I taught myself how to play the piano.

我自学弹钢琴。

例：He started piano lessons at the age of 7.

他7岁开始学钢琴。

4、Violin 小提琴

英 [?val?n]，美 [?val?n]

例：She?her?violin?and?started to?play.?

她拿出她的小提琴开始演奏。

例：They?often?play?the?song?on the?violin.?

他们经常用小提琴演奏这首曲子。

5、Accordion 手风琴

英 [?k?:di?n]，美 [?k?:rdi?n]

例：Can?I?have?your?accordion?

我能要你的手风琴吗？

例：If I?knew?where?you?hid?my?accordion!?

要是知道你把我的手风琴藏在哪里了！

关于乐器的英语单词

零售手风琴理论(Accordion)又称为"综合—专业—综合"循环理论,该理论认为,零售的发展和演进像演奏手风琴一样可由商品组合的从宽到窄,再从窄到宽的变化解释,即商品品种由综合化到专业化再到综合化的循环反复的过程,每次循环不是过去的重复,而是赋予新的内涵,从而出现不同的零售业态,而商品组合的扩大或缩窄必然反映不同时期的市场需要与竞争格局的变化.

历史上,百货公司诞生前,城市商业以专业店占主导地位,商品组合窄而专,因而百货公司的大而全给人以全新感受.同样,食品领域在超市出现前,亦是由肉店,茶叶店,鱼店,面包店等小专业店组成.第二次世界大战后,在百货公司引领下发展起来的购物中心普及,容纳了大量专业店,结果是专业大型连锁公司又获得大发展,分割了百货公司的市场,近10年,在这些专业店的基础上,发展起百货公司式的专业店,称"门类杀手",它们经营的商品达万种以上.美国零售业态的发展历程也是:杂货店(综合化)——专业店(专业化)——百货商店(综合化)——便利店(专业化)——购物中心(综合化).

关于乐器的英语单词有：

1、Guitar：吉他。英 [g?tɑ:(r)]，美 [ɡ?tɑr]。作名词的时候翻译为吉他、六弦琴。

如下图：The guitarist is playing the guitar. 这个吉他手在弹吉他。

2、Drum：鼓。英 [dr?m]，美 [dr?m]。作名词的时候翻译为鼓、鼓声、鼓状物、石首鱼。

3、Piano：钢琴。英 [pi?n?]，美 [pi?no?]。作名词的时候翻译为钢琴、轻奏乐段。

4、Violin：小提琴。英 [?val?n]，美 [?val?n]。作名词的时候翻译为小提琴、小提琴手。

5、Accordion：手风琴。英 [?k?:di?n]，美 [?k?:rdi?n]。作名词的时候翻译为手风琴。

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